This site does not use cookies or other user data tracking technologies
Detectisaprojectthatexploresthephenomenonofinaudiblesound—soundthatexists beyondthethresholdofhumanperception,generatedbytheelectromagneticemissionsof thetechnologicalenvironmentthatsurroundsus.Itfocusesonthehiddenacousticdimension ofourcontemporarylandscape:acontinuous,imperceptiblefluxofelectromagneticenergy producedbydevices,networks,andcommunicationsystems—WiFi,Bluetooth,GSM,data streams — an invisible soundscape that defines our presence in the digital age.Atitscore,Detectexaminesthetransformationofperceptioninaworldsaturatedwith immaterialsignals.Theprojectinvestigateshowtechnology,whileexpandingthespectrumof humancommunication,simultaneouslyconcealsvastportionsofrealitywithininaudibleand invisiblelayersoffrequency.Theseelectromagneticfields—silentyetomnipresent—arethe pulseofourdigitalexistence:anabstractsonorousnetworkthatconnectsandcontrolsus.By makingthesefrequenciesaudible,Detectexposesthehiddentextureoftheenvironment, transforming the invisible into an aesthetic experience.Monfardiniapproachesthesesignalsasbotharchaeologicaltracesandlivingorganisms: evidenceofacontinuoushuman–machinedialogue,yetalsoindependententitiesthatvibrate andinteractbeyondourawareness.Inthissense,Detectbecomesnotonlyanactoflistening, butanactofrevelation—adecodingoftheelectromagneticunconsciousofthe contemporary world.ThesoundcomponentofDetectbeginswithaprocessoffieldrecordingthroughspecialized devices—anelectrosmogdetectorandahigh-frequencyrecorder—capableofconverting electromagneticemissionsbetween500MHzand3GHzintoaudiblefrequencies.These recordings,capturedon-siteinthedaysprecedingtheperformance,constitutetheraw material of the composition: a sonorous archive of the space itself, its invisible voice.Thecollectedsignalsarelaterselected,assembled,andtransformedbyMonfardiniintoa complexaudiostructure—acompositionwhererhythm,noise,andresonanceemergefrom thephysicalpresenceofinformationitself.Duringtheliveperformance,thesesoundsare manipulatedinrealtime,intertwinedwithnewdatacapturedfromtheaudience’sowndevices andfromtheequipmentactiveinthevenue.Thus,theperformancebecomesadynamic acousticmappingoftheelectromagneticecosystem,areal-timesonificationofthedigital environment.Thesonicspaceoscillatesbetweenabstractionandphysicality:deep,granulartextures collidewithsharpburstsofhigh-frequencynoise,evokingbothnaturalandsynthetic sensations.Theaudienceexperiencesanacousticfieldinconstantmutation,wherethe bordersbetweendata,sound,andperceptionblur.Listeningtransformsintoanactof awareness, a re-connection with the material dimension of the immaterial.Thevisualcomponentmirrorsthisprocessofdetectionandtransformation.Signalscaptured fromtheelectromagneticfieldaretranslatedintomovingimages,geometries,andvisual noise—alivingdatalandscapewhereorderandchaoscoexist.Thevideodoesnotmerely illustratesound;itbecomesitsvisualcounterpart,arhythmicstructurethatreactstothe sameinvisiblesources.Lines,flickers,anddistortionsemergeanddisappear,revealingthe electromagnetic architecture of the space.Theprojectionisconceivedasanexpandeddiagramoftheenvironment,wheretheinvisible exchangesofinformation—datatransmissions,wirelesscommunication,interference—take formaslightandmotion.Throughthisvisualtranslation,theaudienceperceivesthedigital fabric of reality not as abstraction, but as a tangible, almost organic presence.
Duringtheperformance,multipleelectrosmogdetectorsaredistributedthroughoutthevenue,continuouslyscanningandconvertingreal-timeelectromagneticactivityintosonicdata.Theaudienceitselfbecomesanactivepartofthecomposition:every phone,everywirelesssignalcontributestotheevolvingsoundscape.Inthisway,Detectfunctionsasbothamirrorandasensor—aninterfacebetweenhumanandtechnologicalpresence.Theperformanceisnotarepresentationbutaprocess—areal-time negotiation between control and randomness, between the predictable order of systems and the unpredictable energy of space.ThroughDetect,MarcoMonfardiniconstructsanaudio-visualinstrumentforperceivingtheimperceptible.Bygivingformandsoundtotheelectromagneticfield,heopensaspaceofreflectiononourrelationshipwiththetechnologicalenvironment—a territory where sound becomes information and information becomes experience.The work invites the listener to tune into the hidden frequencies of contemporary life, revealing the constant vibration that underlies our hyperconnected world.Detect transforms data into matter, interference into music, and surveillance into listening — exposing the silent resonance of the digital atmosphere that defines our existence.
M A R C O M O N F A R D I N ID E T E C T
Detectisaprojectthatexploresthephenomenonofinaudiblesound— soundthatexistsbeyondthethresholdofhumanperception,generated bytheelectromagneticemissionsofthetechnologicalenvironmentthat surroundsus.Itfocusesonthehiddenacousticdimensionofour contemporarylandscape:acontinuous,imperceptiblefluxof electromagneticenergyproducedbydevices,networks,and communicationsystems—WiFi,Bluetooth,GSM,datastreams—an invisible soundscape that defines our presence in the digital age.Atitscore,Detectexaminesthetransformationofperceptioninaworld saturatedwithimmaterialsignals.Theprojectinvestigateshow technology,whileexpandingthespectrumofhumancommunication, simultaneouslyconcealsvastportionsofrealitywithininaudibleand invisiblelayersoffrequency.Theseelectromagneticfields—silentyet omnipresent—arethepulseofourdigitalexistence:anabstract sonorousnetworkthatconnectsandcontrolsus.Bymakingthese frequenciesaudible,Detectexposesthehiddentextureofthe environment, transforming the invisible into an aesthetic experience.Monfardiniapproachesthesesignalsasbotharchaeologicaltracesand livingorganisms:evidenceofacontinuoushuman–machinedialogue, yetalsoindependententitiesthatvibrateandinteractbeyondour awareness.Inthissense,Detectbecomesnotonlyanactoflistening,but anactofrevelation—adecodingoftheelectromagneticunconsciousof the contemporary world.ThesoundcomponentofDetectbeginswithaprocessoffieldrecordingthroughspecializeddevices—anelectrosmogdetectorandahigh-frequencyrecorder—capableofconvertingelectromagneticemissions between500MHzand3GHzintoaudiblefrequencies.Theserecordings, capturedon-siteinthedaysprecedingtheperformance,constitutethe rawmaterialofthecomposition:asonorousarchiveofthespaceitself, its invisible voice.Thecollectedsignalsarelaterselected,assembled,andtransformedby Monfardiniintoacomplexaudiostructure—acompositionwhere rhythm,noise,andresonanceemergefromthephysicalpresenceof informationitself.Duringtheliveperformance,thesesoundsare manipulatedinrealtime,intertwinedwithnewdatacapturedfromthe audience’sowndevicesandfromtheequipmentactiveinthe venue.Thus,theperformancebecomesadynamicacousticmappingof theelectromagneticecosystem,areal-timesonificationofthedigital environment.